Do you know about - What Authors Can Learn From Book Reviews
Erie Insurance! Again, for I know. Ready to share new things that are useful. You and your friends.I anxiously awaited the publication and posting of reviews for my new book following its issue and was quite pleased that the introductory seven or eight were highly complimentary. I was basking in glory! Three years of investigate and three years of writing were required to yield the 320-page novel and I was very proud of the end result.
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Imagine my shock when a few negative reviews appeared on literary and book club websites. While you can't expect everybody to love your book, I was nevertheless surprised that any were downright mean and nasty, which contrasted so drastically with the first batch of reviews. After my anger and indignation subsided, I decided that my best course of operation would be to analyze all reviews for anyone beneficial data might be gleaned from them.
Given my long palpate as a enterprise executive, I appreciate the value of store data and understand that its precise interpretation be can applied as an sufficient management tool. Victorious publishers hire such tools in the decision-making process and astute authors can conduct their book promotion activities by similar means. Perhaps you're wondering why the author's chronic involvement in book promotion is so important? The write back is simple. Regardless of the size or prominence of the publishing house, when the author stops promoting, the book stops selling.
Book promotion takes place in a fast-paced, highly contentious world and authors, as customary book promoters, must react fast to critical new store data, together with book reviews. This is particularly foremost for novels, as those of lesser-known novelists compete directly with those of well-known novelists, manufacture it imperative that the promotional endeavor of the lesser-known novelist is targeted on the most receptive store niche.
What specifically did I learn from both suitable and unfavorable reviews?
The most tasteless comment was about the dialogue. To some, it was "dry and stilted." To others (the best educated, more sophisticated reviewers in my fully biased opinion), it "sustains an climate that clearly places the story in a separate era, giving the novel an unusual feeling of authenticity." Further, Craig A. Warren, Assistant Professor of English & pro Writing, School of Humanities & communal Sciences, Penn State Erie wrote "The now-stilted language of the nineteenth century is reproduced in the novel with care; to his credit, Jones does not result Michael Shaara in updating the verbiage of the war's participants." So I don't feel too bad about the dialogue complaints.
Several negative reviews cited the lack of "character development." Frankly, I refrained from indulging in frivolous character development because most of the characters were real people. I respect these historical personages and refuse to risk mischaracterization of them or advance their actions beyond what is absolutely known, or can be reasonably assumed. Fortunately, I knew much about them from thorough research, so I was able to weave into the storyline a whole of spellbinding anecdotes and their own written recollections of what happened. My thorough goal was to portray the characters and events strictly in accordance with existing evidence or, at the very least, insure that there was no evidence to the contrary.
I also learned that my novel is a "fact-laden" historical fiction that doesn't request for retrial to fans (mainly women) of bodice-ripping historical romances. Conversely, even though my novel is historically accurate, I found that hardcore history buffs (mainly men) only appreciate non-fiction. It's indisputable that these two store niches occupy opposite ends of the American Civil War reader spectrum.
I concluded that the largest potential store for my book exists somewhere in the middle, a wide niche comprised of men and women who, without preconceptions, might enjoy reading a considered researched fictional story, written with authentic duration details, and based on real habitancy and events. Realignment of all promotional activities toward this mum lode of potential readers became my immediate priority, as time and endeavor expended on other niches would absolutely furnish a reduced return on investment.
What advice can I give to other authors?
Don't waste your time by getting angry or indignant over a few not-so-great book reviews. Learn from the reviews and focus all of your efforts on the store niche with the highest sales potential. You have a book to promote and only you can do it. Be proactive and keep on promoting.
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